📖杂志观点

The progressive streamer’s comments suggesting people may “take action” against Jews in the U.S. drew a rebuke from other Michigan Democrats.

The president’s super PAC spent more than $827,000 on voter phone calls and texts for Graham — even as battleground Republicans have been clamoring for money.

Conservatives finally won and took over the state.

Readers respond to Becca Rothfeld’s review of Rachel Cusk’s latest novel, Alexandra Schwartz’s piece about death doulas, and Zach Helfand’s Talk story about the Old News Newsstand.

At his downtown studio, the perennially provocative artist makes a lo-fi version of the brand’s flagship Parisian store.

In his new book, “Birth of a Culture,” the trailblazing d.j. tells his version of how it all began.

For years, a Peruvian voice actor has tried to get Disney to sign off on his Quechuan translation of “The Lion King.” The new documentary “Runa Simi” follows his path unwinding.

“The Breakup,” “All Them Dogs,” “Sex and Dissent,” and “We Want to Believe.”

How striving, self-invention, and charm became a national style.

A drawing that riffs on the latest news and happenings.

So far, the proliferation of A.I. models such as Claude and ChatGPT hasn’t led to mass displacement of workers. But deployment is accelerating and economic pressures are rising.

Commuter couture.

The culture wars have come for lingerie as the right, once the advocates of promise rings and purity culture, embarks on a crusade to “Make America Hot Again.”

Nate Amos writes songs that both embrace and lampoon dusty singer-songwriter tropes.

For A.1. to cause such fear is understandable, because many of us are not comfortable with condiments.

With “Food Is a Feeling,” the cookbook author joins a lineage of writers who have explored the appetites of the newly unmarried.

The first major show of the artist’s drawings articulates his pain and anger and the frightful era he lived in.

Under the stewardship of Nadège Vanhée, the artistic director of women’s wear, a house known for craftsmanship is exploring the risqué.

Oren Peli, the creator of the original horror-film series, stops by the new stage production and dishes on the creaky house that spooked—and inspired—him back in 2005.

Working with focus groups, Longwell keeps a bead on what voters are really thinking, and how to combat Trumpism. She presents the playbook to the New Yorker staff writer Evan Osnos.